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Tag Archives: music contract

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March Music Legal and Business Roundup

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Categories: Articles, Business, Law, Legal Disputes, Legal Issues, Music Industry, Music Libraries, Music Publishing, Tags: , , , , , , , , , , , , , , , , , , , , , , , , ,

cowgirl, lasso, roundup

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March had several interesting music legal issues, but first, check out my most recent articles:

 

In other news this month:

 

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What is a Contract Term?

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Categories: Articles, Law, Music Contracts, Music Industry, Music Publishing, Record Labels, Tags: , , , , , , , , , , , , , ,

By:  Erin M. Jacobson, Esq.

A “term” of a contract usually refers to the length of time an agreement covers. For example, two parties may decide to work together for a period of three years, thus the contract would have a “three year term.” Sometimes, the term is broken up into a firm amount of time, with the option to continue working together for longer.   This could look like an initial period of two years, with a one year option. If that option is exercised, then the total term of the contract would be three years. These options are often exercisable at the discretion of one party (like a manager or a record label), making that party obligated to initial period and only obligated to the option periods if they choose to exercise them. The other party (like the artist), however, would be obligated to the entire term (initial period plus options). In other types of agreements (like certain types of music library or publishing agreements) options may automatically renew on a yearly basis, making the contract last as long as the parties are willing to continue working together.

The other way the words “term” or “terms” are used in relation to contracts is to describe certain the actual provisions of the contract. People will say things like “according to the terms of the contract,” which means the provisions of that contract. They may also refer to a specific, singular term, meaning one provision in particular. You will usually know the difference of “the term” versus “a term” or “the terms” based on the context of the conversation.

Both the term length and actual terms are important due to the fact both could bind you to an agreement not ideal for your career. You could be stuck in a deal where the term length extends much longer than it should and prevents you from signing other deals, creating other projects, and stalls your career. In a situation like that, your career in music will effectively be over because without the ongoing momentum, people will forget about you and your music, newer artists will be on the scene, and you will be on a hamster wheel trying to play catch up while the industry moves forward without you.

If the other terms of the agreement aren’t ideal, you could also be broke by paying large amounts of commissions to those you work with without anything left over for you.   You could lose your copyrights and the right to continue profiting off of your work because someone else owns it. You could even lose the right to use your own name professionally, like one artist who told me her story of not being able to register her name as a URL, because she had unknowingly signed those rights away to someone else.

It is of the utmost importance to know what you are signing and have an experienced music attorney review your contract to make sure you do not become another music industry statistic of a promising young talent whose career was crushed by your own failure to hire the right person to protect you.

If you have been offered a deal, contact Erin now to have it reviewed.

Disclaimer: This article is for educational and informational purposes only and not for the purpose of providing legal advice. The content contained in this article is not legal advice or a legal opinion on any specific matter or matters. This article does not constitute or create an attorney-client relationship between Erin M. Jacobson, Esq. and you or any other user. The law may vary based on the facts or particular circumstances or the law in your state. You should not rely on, act, or fail to act, upon this information without seeking the professional counsel of an attorney licensed in your state.

If this article is considered an advertisement, it is general in nature and not directed towards any particular person or entity.

 

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How to Get Legal Help if You Can’t Afford a Music Attorney

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Categories: Business, Law, Legal Issues, Music Industry, Tags: , , , , , , , , , , , , , ,

Hopefully you’ve read my most recent article where I explained how to choose the right attorney for you. Even though you now know what qualities to look for in an attorney, you may still wonder whether hiring one is possible if you are on a tight budget. As I discussed last time, don’t try to handle the matter yourself, and having a non-music or non-entertainment lawyer handle your matter is less than ideal because only a lawyer experienced in music and entertainment will know the specific nuances that pertain to your situation. While the best solution is still to hire an experienced music attorney to handle your situation, here are three less costly options for independent musicians to get their legal needs met.

1. Ask the lawyer you want to work with if there’s any flexibility on payment policies

After finding out the lawyer’s customary rate, you can ask if he or she can do the work on a flat-fee basis, has discounted rates for independent musicians, or has a payment plan where you can pay the fee in installments.

You can also ask if the attorney would be willing to work on a percentage basis, but know that many attorneys will only work on percentage for high net worth clients. Don’t expect the attorney to work for free or try to sell him or her on the premise that the attorney will somehow make a lot of money once you’re famous. The music industry is a speculative business, and a new client without a proven track record will often not produce a return on a lawyer’s investment of time and skill.

If your matter involves a lawsuit (most often for copyright infringement or breach of contract), you can ask the attorney if he or she works on a “contingency,” meaning that the attorney doesn’t get paid unless he or she wins your case. There are some lawyers who still work on contingency, but most don’t. Keep in mind that even if an attorney does work on contingency, you will most likely still have to pay court filing costs, which can be expensive on their own.

2. Use a reputable online legal resource

Usually, I advise non-lawyers to proceed with extreme caution when downloading or using templates from the internet because these templates are often poor quality and usually not designed for independent musicians. Plus, drafting changes to template agreements without proper legal training can often lead to unforeseen consequences that could be detrimental to your income, copyright ownership, and career.

Here is the exception: in my dealings with many independent musicians, I saw that many musicians needed but didn’t have access to resources to meet their legal needs due to cost or other prohibitions preventing them from hiring an attorney. Therefore, I started Indie Artist Resource (currently only available for California residents) to offer template contracts, intellectual property registration services, and legal consultations all specifically designed to address the unique needs of independent musicians.

Despite the varying quality of most online templates, I’m confident in recommending the templates and services from Indie Artist Resource, as I have personally developed all of the templates with the needs of independent musicians in mind, and I oversee all operations of the business, including handling the consultations. While the nature of template agreements means that a template isn’t tailored to each individual user’s specific needs, some protection is better than no protection – and I’d rather see a musician using a well-drafted template than proceeding without any agreement in place.

3. Contact a legal clinic for the arts

There are some nonprofit organizations that offer free or low-cost legal services to musicians. You can research online whether your state has such an organization and contact the organization to see if what they offer meets your legal needs. Some of the lawyers at these organizations are very competent attorneys who service high-level clients and enjoy volunteering their time to help independent musicians. Of course, others are newly licensed and may or may not be reputable. I cannot comment on the caliber of service you will be getting because it depends on which state you are in, the quality of the organization, and the attorney handling your case. However, if you want to work with someone on an ongoing basis throughout your matter and you can’t afford regular attorney’s fees, then this might be a good option for you to investigate.

 

Erin M. Jacobson is a practicing music attorney, experienced deal negotiator, and seasoned advisor of intellectual property rights. Her clients range from Grammy and Emmy Award winners to independent artists, record labels, music publishers, and production companies. Ms. Jacobson also owns and oversees all operations for Indie Artist Resource, the independent musician’s resource for legal and business protection offering template contracts, consultations, and other services designed to meet the unique needs of independent musicians.

This post first appeared on Sonicbids.com.

Disclaimer: This article is for educational and informational purposes only and not for the purpose of providing legal advice. The content contained in this article is not legal advice or a legal opinion on any specific matter or matters. If this article is considered an advertisement, it is general in nature and not directed towards any particular person or entity. This article does not constitute or create a lawyer-client relationship between Erin M. Jacobson, Esq. and you or any other user. The law may vary based on the facts or particular circumstances or the law in your state. You should not act, or fail to act, upon this information without seeking the professional counsel of an attorney licensed in your state.